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Israel’s Eurovision Performance Met with Boos and ‘Free Palestine’ Chants at Jury Show

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The atmosphere at the Eurovision Song Contest’s Jury Show on Wednesday night was anything but celebratory, as footage shared on social media revealed a tumultuous scene.

Attendees captured moments of chaos, with the crowd at the event audibly booing and chanting ‘Free Palestine’ during Eden Golan’s performance for Israel, nearly overshadowing her singing entirely.

FINLAND OUT *Restriction for France customers: it is forbidden to publish on the day of the event* Mandatory Credit: Photo by Antti Aimo-Koivisto/LEHTI/SIPA/Shutterstock (14469758ae) Eden Golan with song Hurricane representing Israel on stage during a dress rehearsal of the second semi-final of the Eurovision Song Contest 2024 in Malmo, Sweden, on May 8, 2024. Eurovision Song Contest 2024, Semi-Final 2, Malmo, Sweden - 08 May 2024
Other performers have spoken out about Israel’s involvement in the competition (Picture: Antti Aimo-Koivisto/LEHTI/SIPA/S)

On May 8, sixteen countries participating in the semi-final of this international musical extravaganza graced the stage in Sweden, performing their heart out to an arena packed with fans.

While television viewers determine the final winner of the contest, juries play a crucial role by casting their votes at the Jury Show, ensuring an outcome in case voting complications arise during the finals.

One attendee described the ambience inside the venue as ‘horrible,’ with palpable tension permeating the air, while others took to sharing videos showcasing the loud disapproval of the audience.

This incident follows a wave of criticism directed at Israel’s participation in the competition, given the ongoing conflict with Palestinians in Gaza.

The conflict with Hamas has exacted a heavy toll, claiming the lives of more than 35,000 people in Palestine and leaving 77,000 others injured in Gaza, according to figures from Al Jazeera.

Eden Golan, representing Israel, performs on stage during the first rehearsal of the second semi-final
Footage from inside the arena makes it clear the crowd was loudly booing Golan’s performance (Picture: REUTERS)

Despite widespread calls for a lasting ceasefire, many voices opposed the European Broadcasting Union’s decision to allow Israel’s participation in Eurovision.

This dissent was glaringly evident in Malmö, where angry chants nearly drowned out Israel’s performance, as captured in numerous social media videos.

Some attendees even reported being threatened with ejection by security personnel for voicing their disapproval during Golan’s performance.

Contrary to these actions, Eurovision’s official stance permits peaceful protest, as stated on their website.

The site affirms: ‘The EBU is a staunch supporter of freedom of speech, acknowledging people’s right to express their views peacefully.’

Calls for boycotting the competition in objection to Israel’s involvement gained traction, primarily after concerns were raised about the original song’s lyrics being seen as anti-Palestinian.

Allegations of ‘propaganda’ and perceived political messaging in the song ‘October Rain’ sparked heated debates, leading Israel to revise its lyrics following public outcry.

Even contestants from other countries, such as Ireland’s Bambie Thug, voiced their disagreement with Israel’s inclusion in the competition, echoing broader sentiments against it.

Amidst the escalating tensions, former Swedish contestant Eric Saade used his platform during the show’s opening act to make a statement, donning a keffiyeh on his arm—a symbol often associated with solidarity towards Palestine.

Eden Golan representing Israel with the song
Many have called for a boycott of Eurovision in protest of Israel’s participation (Picture: Jessica Gow/TT/Shutterstock)

The controversy surrounding Israel’s participation escalated to the point where Israel’s National Security Council issued warnings against Israelis travelling to Malmö for the event, citing concerns over potential threats.

Their caution elevated to level three, just below a complete travel ban, underlining the gravity of the situation and the polarizing effect Eurovision’s stage has assumed in the broader geopolitical context.

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